One of the most important social and cultural questions of the 2010s: do we own our phones, or do our phones own us?
#Her spike jonze final letter movie#
These questions asked by the movie go right to the center of The phone, or is he really “her, the phone’s, man”? Put it more explicitly in the grammar of the title, does the man own and love “her” The title asks us this: who has the power in the Has a female voice, the ambiguous grammar of the one-word title indicates aįascinating conundrum: does he possess his phone, or does his phone possess Movie about a man who falls in love with the operating system on his phone, which This means that the “her” is weaker than the Person who has the action of the verb done to her. In the latter case of “I love her,” the “her” is an inactive In this former case, “her” signifies possessive ownership,Īs if the she who is the “her” is a powerful owner. Possession, as in the sentence “those are her books.” But it can also be a direct object, as in “I touched The word “her,” grammatically, can signify personal Let’s break it down as we begin to dissect the film. Just the title of Her, all by itself, encapsulates the complexity and amazing ambiguity of this movie. If you think that’s you, don’t watch it.) ( Fair warning to readers: Her contains sexually explicit content that is not for viewers who will be misdirected by its appearance. Early American Literature Reading List (1500-1890).Why Science-Fiction Movies of the 1970s are Stupid-Fun.The Best Internationally-Made Children’s Movies That You Probably Haven’t Seen.Pretty Good Movies for Kids that IMDB Gets Wrong.
#Her spike jonze final letter tv#
Great Science-Fiction Movies and TV List.Great Movie Lists for You - My Recommendations.My Answers to the Question, “How Do I Get Better at Studying Films/Doing Film Analysis?”.Long-Form Essays on the Great Movies of the 2000s.My Movie Criticism - Videos and Writings.Underrated Films – Master List of Videos.Forgotten Classics List – Master List of Videos.Learn More About Movies - A Short Video Course.What Makes This Movie Great? - List of Videos.Fair warning though: "Her" is a bit unsettling and it will leave people extremely weirded out, but "Her" is downright arresting. Without a doubt was "12 Years a Slave" the big winner for best picture, but "Her" comes in at a close 2nd or 3rd for me. Everything from the melancholy tone, to the symbolic imagery, to the captivating and infectious narrative, "Her" was a huge surprise for me. It's a film crafted and paced so superbly, there seems to be no wrong note Jonze plays with this film. To put it in one word, the film as a whole is beautiful. There's no way these emotions would have been portrayed if Jonze didn't utilize the method that he inhabits with this flick. Emotions such as sadness, laughter, the sense of hope, the desire of love, and confusion are exceedingly palpable but not so much in a way that it's thrown in audiences faces - it gracefully settles in, making the movie not so much of a viewing but more of an experience. Without a doubt, "Her" is more of a quiet piece so you won't find much dialogue here ala "Lost in Translation", but Jonze doesn't impose this method in a swaggering way - he portrays it with perfection. His performance is a work of art.īut the biggest achievement that "Her" feats is the phenomenal narrative powered by a supercharged screenplay/directing on behalf of Spike Jonze himself. Now I've never seen Matthew's best acting performance in "Dallas Buyer's Club" to rightfully say whether his performance in that was any better than Phoenix's in "Her", but in no way should Phoenix be thrown in the back burner. I don't care about his past troubles this guy's talented. It works marvelously with its comedic but yet love/heartbreak themes.īut even though the cinematography was vibrant, boy, Joaquin Phoenix plays an absolutely magnetic and nuanced performance. Colors pop with soft textures throughout but tiptoed in with a subtle melancholy tone. Every single shot is a respectful homage to "Lost In Translation" with some "Eternal Sunshine of the Spotless Mind" and with a little Wes Anderson peppered in. Well, after being nearly 1 year late watching this movie, I could say, "Her" would sure as hell won for best cinematography if "Gravity" never fell on our laps. Quite possibly one of the greatest shot films ever crafted. Let's be real: "Gravity" was just unreal. Funnily, "Her" isn't much of a departure in comparison to Jonze's earlier work, but it is, without a doubt, his most captivating. They come off as too weird or too alienating for many ("Being John Malkovich" anyone?). Now as for starters, I am not a big fan of Spike Jonze's pictures.
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